zondag 5 juni 2022

Mazarati - Mazarati (1986) (S.E)

Mazarati was an American R&B, rock and funk band, formed in the mid-1980s and was active until 1989. 
The band was seven pieces and included the former Prince and The Revolution bassist Brownmark. Originally hailing from Minneapolis, they became defunct as a group in 1989. 
The band's sole hit was a song called "100 MPH", which was written and co-produced by Prince. 

The band is notable for some of the songs that they did not release. They were originally given the song "Kiss" by Prince in demo form, with melody, lyrics and basic song structure. David Z worked on the song, "starting with a LinnDrum, I programmed the beat and began experimenting. 
Taking a hi-hat from the drum machine, I ran it through a delay unit and switched between input and output and in the middle. That created a very funky rhythm. 
Then I took an acoustic guitar, played these open chords and gated that to the hi-hat trigger. The result was a really unique rhythm that was unbelievably funky but also impossible to actually play... The background vocals I adapted from the Brenda Lee song 'Sweet Nothings' " The end result was, "a so-so dance number. "The guitar was dry and gated, and everything else sounded kind of different to the corporate rock that was on the radio at that time.” 
Mazarati's backing vocals were retained on the final song which was released on Parade (1986). The song became a No. 1 hit single and Grammy Award winner. Another song given to Mazarati was an out-take from The Time called "Jerk Out". 
 Their take on the song never made the album, but the track was redone in 1990, once again with The Time who scored their biggest hit with the track, which reached number nine on the Billboard Hot 100. 
Mazarati's backing vocals were also kept on the released version. Mazarati are name checked on the Prince penned Sheila E. track HOLLY ROCK.

Mazarati is a perfect example of a band that was expected to be huge but never enjoyed the commercial success it was supposed to. 
When Brown Mark of the Revolution produced this self-titled debut album in 1986, the Minneapolis funk-rock sound was tremendously popular. Prince was a superstar, and disciples like the Time, Vanity 6, Apollonia 6, Ta Mara and Jesse Johnson had enjoyed major hits as well. 
But for whatever reason, Mazarati wasn't the blockbuster that many R&B experts predicted it would be. Although not in a class with Prince's Purple Rain or the Time's Ice Cream Castle, Mazarati is decent and respectable, if derivative. Driving funk-rock items like "Suzy," "100 MPH" and "Player's Ball" aren't breathtaking, but they aren't anything to be ashamed of either. Also noteworthy are the psychedelic-influenced "Strawberry Lover" and the melancholy soul ballad "I Guess It's All Over." 
An LP that shouldn't have fallen between the cracks, Mazarati been out of print since the 1980s but is worth picking up if you come across a copy somewhere.


Tracklist

1.  Players’ Ball - 4:43
2.  Jerk Out - 7:10
3.  Lonely Girl On Bourbon Street - 4:47
4.  100 MPH - 7:23
5.  Champagne Saturday - 4:05
6.  She’s Just That Kind Of Lady - 3:47
7.  Stroke - 4:34
8.  Don´t Leave Me Baby - 4:12
9.  Susannah´s Pajamas - 3:42
10.  Suzy - 4:28
11.  Strawberry Lover - 5:26
12.  Kiss - 4:03
13.  I Guess It’s All Over - 4:56

The Art Of Noise - Daft As A Brush! (2019)

ZTT's Element series has seen numerous reissues in the form of deluxe edition albums, new compilations and the occasional single since its conception when the label started to reboot its back catalogue in 2010. Daft As A Brush! is Art of Noise's latest entry to the series, catalogued as Element 46 and is an exclusive Record Store Day 2019 release.
 
This four 12" vinyl set includes previously unreleased tracks along with others appearing on vinyl for the first time. Commencing with Beat Box (Diversions One to Six) we get the original 12" Beat Box (Diversions One and Two) on side one with Diversions Three through to Six on side two. Diversions Three and Four were first released on a New Musical Express cassette entitled Department Of Enjoyment in 1984. It was always a mystery as to why it never came out as a companion remix to the original 12". Now for the first time we can hear those two tracks alongside the original two with Diversion Five and Six, giving the listener a chance to enjoy the multipart series of Beat Box as a whole.
 
The second disc,Closer (To The Edit) traces the development of Close (To The Edit) that was itself a spin-off from Beat Box (Diversion Two). Kicking off with (St)art Of Noise, one is transported through an alterative journey through Art of Noise's biggest hit on ZTT as Close (To The Edge) via A Time To Hear (Who's Listening), 'Listen In' and 'Listen Out'. Ironically Close (To The Edit) was never reissued as a single after its initial releases around the world, so to get it as part of this set will be a dream come true for many fans.
 
Disc three, (Share) Moments In Love. Over the years Moments In Love has been reissued in one form or another, either as a standard re-release, picture disc, coloured 12" vinyl or as remixed editions and has appeared on numerous compilations since its original outing as part of Into Battle With The Art Of Noise. To some fans it has been re-released to death, for others it is a cult track gaining evermore popularity with it being played as part of chillout sessions in clubs, or sampled by other artists. This edition should appeal to everyone. The content on this record is exclusive to this set and contains Moments In Love (Original, Part One), Memento (Hymnal, Part One), Moment In Love (Spring Flowers), 'To The Death... For Life', Moments In Love (Original, Part Two), Memento (Hymnal Part Two), Autumn Leaves and 'For Life... To The Death'.
 
Disc four contains non-Art of Noise material by Trevor Horn and Paul Morley under the moniker Art& ACT, entitled Life's A Barrell Of Laughs. This failed/abandoned project was created when they tried to carry on as a sort of AoN II after the three key members, Anne Dudley, JJ Jeczalik, Gary Langan left ZTT and were enjoying commercial success around the world. The selection of tracks included here unintentionally disproves the early myth that Horn and Morley were the actual geniuses behind the group as the recordings lack the innovative ideas that were unique to Art of Noise. In some ways these tracks could have easily of been part of a third Buggles album, but to others can be heard as the forerunner to The Seduction Of Claude Debussy period that would see them reunite with Dudley alongside Lol Creme in the late 1990s as Art of Noise*. This disc nicely rounds off Horn and Morley's involvement with the AoN's early years as a project that had potential but never got off the ground. It is nice to hear all of these tracks in one place instead of being scattered over various releases as it gives the project some depth and meaning.
Overall this box set is a welcome addition to the Art of Noise's catalogue spanning almost thirty five years. The sound quality throughout this four part set is second to non. It is a joy to listen to all of these tracks on the intended format they were originally to have been released upon. As with all of the previous Element series releases, Ian Peel has compiled a set that mixes old favourites, with previously unreleased material that perfectly compliment each other, along with his informative sleeve notes show just how much care and thought has gone into the making of this set. Philip Marshall has done an excellent job with the design of the whole package, being faithful to the original XLZTT ethos and adding a new twist to it. Daft As A Brush! is a testament to Art of Noise's two year stint at Zang Tumb Tuum from 1983 to 1985 before "they dressed themselves" and showcases why they have been influential to many of the acts that have followed since their inception.


Side A
        Beat Box Diversions One To Six
A1.  Beat Box (Diversion One) - 8:33
A2.  Beat Box (Diversion Two) - 6:04

Side B
B1.  Beat Box (Diversion Three) - 5:37
B2.  Beat Box (Diversion Four) - 1:16
B3.  Beat Box (Diversion Five) - 3:43
B4.  Beat Box (Diversion Six) - 3:57

Side C
        Closer (To The Edit)
C1.  (St)art Of Noise - 1:17
C2.  Close (To The Edge) - 5:54
C3.  A Time To Hear (Who's Listening?) - 3:32
C4.  'Listen Out' 1:00

Side D
D1.  Close (To The Edge) (7" Mix) - 2:19
D2.  A Time To Hear (We're Listening!) - 1:26
D3.  'Listen In' (Vocals By – Mike Finney) - 2:00

Side E
        (Share) Moments In Love
E1.  Moments In Love (Original, Part One) - 6:28
E2.  Memento (Hymnal, Part One) - 1:24
E3.  The Spring Flowers - 2:12
E4.  'To The Death... For Life' - 1:57

Side F
F1.  Moments In Love (Original, Part Two) - 2:25
F2.  Memento (Hymnal, Part Two) - 1:49
F3.  The Autumn Leaves - 2:41
F4.  'For Life... To The Death' - 1:18

Side G
        Life's A Barrel Of Laughs
G1.  Art & ACT - Life's A Barrel Of Laughs (Out Of This World) - 8:03
G2.  Art & ACT - Yes Or No (Yes!) - 1:00

Side H
H1.  Art & ACT - This Is Your Life (Tk. 6 - Tch Vox) - 2:00
H2.  Art & ACT - This Is Your Life (Tk. 3 - M Vox) - 4:35
H3.  Art & ACT - Yes Or No (No?) - 4:09