ABC - The Lexicon Of Love (1982, 2004 2CD Deluxe Edition)

ABC are an English new wave group that first came to prominence in the early 1980s. Their 1982 debut album, The Lexicon of Love, was a UK number one and they achieved ten UK and five US Top 40 hit singles between 1981 and 1990.
The Lexicon of Love is the RIAA Gold-certified debut album by the British new wave band ABC, released in 1982. It is not a concept album,^[1] but features repeated themes in which the singer experiences heartache as he tries and fails to have a meaningful relationship.
It was produced by Trevor Horn, engineered by Gary Langan, and featured orchestrations by Anne Dudley and Fairlight CMI programming by JJ Jeczalik; Horn, Langan, Dudley and Jeczalik would later form the Art of Noise. Indeed, most of the production team and sessions players listed below would form the basis for the ZTT label, and their work with Horn meant all concerned would be in constant demand throughout the industry in years to come.
"Tears Are Not Enough" (in its initial release produced by Steve Brown), "All of My Heart", "Poison Arrow", and "The Look of Love (Part One)" were all Top 20 hits in the UK; the latter two also charted in the US, peaking at No. 25 and No. 14 respectively. The album reached No. 1 on the British charts, and peaked at No. 24 in the US charts.
In 2004, a deluxe 2-disc reissue including previously unreleased outtakes and early demos and a live performance of the album from 1982 was released on the Neutron label.
In 2009, ABC performed the album integrally at the Royal Albert Hall in London, accompanied by the BBC Concert Orchestra, and conducted by arranger and composer Anne Dudley. They were joined on stage by album producer Trevor Horn.^[2]
The Lexicon of Love was again performed live in its entirety on 18 December 2012 at Theatre Royal Drury Lane. This marked the 30th anniversary of the album's release and once again featured Dudley as conductor, performing with the Southbank Sinfonia Orchestra. The same line-up (with Dudley and Southbank Sinfonia) concluded a four-date mini-tour at this same venue on 30 March 2014 performing the complete album.

Disc 1: The Original Album
01.  "Show Me" - 4:02
02 . "Poison Arrow" - 3:24
03.  "Many Happy Returns" - 3:56
04.  "Tears Are Not Enough" - 3:31
05.  "Valentine's Day" - 3:42
06.  "The Look of Love" (Part One) - 3:26
07.  "Date Stamp - 3:51
08.  "All of My Heart" - 5:12
09.  "4 Ever 2 Gether" (ABC/Anne Dudley) - 5:30
10.  "The Look of Love" (Part Four) - 1:02
11.  "Overture" (ABC/Anne Dudley) - 3:59
12.  "Tears Are Not Enough" (original single version) - 3:36
13.  "Alphabet Soup" - 8:03
14.  "Theme from Man Trap" - 4:19
15.  "Poison Arrow" (North American Jazz Mix) - 7:06
16.  "Into the Valley of the Heathen Go" - 2:00
17. "Alphabet Soup" (BBC Swapshop version)  - 3:13

Disc 2: 2004 deluxe edition
01.  "Tears Are Not Enough" (Phonogram Demo 20 July 1981) - 3:32
02.  "Show Me" (Phonogram Demo 20 July 1981) - 4:03
03.  "Surrender" (Phonogram Demo 20 July 1981 - song deleted from album's original release at "the 11th hour") - 3:29

The Lexicon of Love - Live at Hammersmith Odeon November 1982
04.  "Overture" (ABC/Anne Dudley) - 3:56
05.  "Show Me" - 4:21
06.  "Many Happy Returns" - 7:02
07.  "Tears Are Not Enough" - 5:33
08.  "Date Stamp" - 7:07
09.  "The Look of Love" (Complete Suite) - 5:59
10.  "All of My Heart" - 6:45
11.  "Valentine's Day" - 4:44
12.  "4 Ever 2 Gether" (ABC/Anne Dudley) - 6:53
13.  "Alphabet Soup" - 8:26
14.  "Poison Arrow" - 5:22

Label - Mercury

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I-Level - I-Level (1983)

I-Level was a short-term U.K. band consisting of Duncan Bridgeman, Jo Dworniak, and Sam Jones. Bridgeman and Dworniak -- both from Essex, England -- met through a classified ad in Melody Maker and first played together in Scrambled Egos and Shake Shake before evolving into I-Level, with the addition of Sam Jones from the Dominican Republic. With Jones, a former member of the reggae band Brimstone, I-Level snagged a deal with Virgin Records in 1982. The year before, Bridgeman was a brief member of the Last Dance and recorded with the band.
They scored out of the box in the U.K. with "Give Me," which became a Top Five R&B single in the U.S. via Epic Records. The success inspired a whole album of songs. I-Level dropped early in 1983 and two more not as successful singles, "Minefield" and "Teacher," bubbled out. 1985 saw the release of the trio's second and final LP, Shake, which contained the controversial track "In the Sand," an acclaimed U.K. rare groove. When the album didn't move, I-Level disbanded.
Dworniak became a sought-after session man with credits too numerous to mention. He was a member of the duo Gardening by Moonlight with John Johnson and played keyboards for John Foxx. In 1989, Bridgeman and Dworniak remixed Paul McCartney's "Good Sign" track and they continue to work with a diverse array of artists. The whereabouts of Sam Jones are unknown.

01.  Minefield  (6:57) 
02.  Treacle  (3:23) 
03.  Heart Aglow  (3:25) 
04.  Stone Heart  (4:40) 
05.  Woman  (3:34) 
06.  Give Me  (5:45) 
07.  No. 4  (5:03) 
08.  Teacher  (4:27) 
09.  Music  (3:02) 
10.  Face Again  (4:03) 
11.  Give Me (Plus)  (5:39)
12.  Give Me (U.S. Remix)  (7:45)
13.  3 A.M (Give Me)  (5:55)
14.  Mindfield (Extended Remix)  (6:54)
15.  Stone Heart (Extended)  (6:17)
16.  Teacher (Extended)  (6:24)
17.  All My Love  (3:51)

Label - Virgin

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Patrick Cowley - Muscle Up (2015) [Recorded 1973-1981]

Like Arthur Russell, another cult hero whose status rose years after he died of AIDS, San Francisco’s Patrick Cowley was known during his short lifetime for left-of-center disco; with songs like "Menergy" and "Megatron Man", he was the prime architect of the uptempo electronic disco variant Hi-NRG, later popularized by hits like Dead or Alive’s "You Spin Me Round (Like a Record)".
Also like Russell, Cowley’s roots were avant-garde; where Russell's lineage came from experimental classical composers like Christian Wolff, Cowley drew inspiration from early Moog masters Tomita, Wendy Carlos, and Tangerine Dream. Unlike Russell, however, some of Cowley's work reached the mainstream: What Giorgio Moroder was to Donna Summer, Cowley was to LGBT pioneer Sylvester the mustachioed background figure who contemporized a disco diva’s hot soul with cool technology.
Yet unbeknownst to even most of his disco fans, Cowley also created synth compositions in the even-more-underground medium of gay porn. Muscle Up is the second of two releases compiling this work, spanning time spent as a student at the City College of San Francisco to the period shortly before his death in 1982, when he scored his final smashes with Sylvester, Paul Parker, Loverde, and other Bay Area acts. As with 2013's School Daze, it takes its name from a real 1980 porn film, released by L.A.'s Fox Studio, that Cowley soundtracked. The music here documents an important cultural shift: As Super 8 gave way to VHS, DVD, and digital, much of gay and straight porn music alike would be synth-centric.
Like porn itself, electronic music references reality while signaling a fantastical break from it. For gay men born in the '50s like Cowley, synths suggested a refuge from repression, an escape hatch from a world where police entrapped, beat, and jailed them; where they lost their jobs or unwillingly severed family ties. This is one of the reasons why synth-disco milestones like Summer's "I Feel Love"—a track Cowley further intensified in his legendary 15+ minute remix—resonated so strongly with gay dancers of its era: Synth music was dream/sci-fi music, and it competed with R&B at the bathhouses where its suspension of time and space heightened the otherworldliness of unlimited sexual expression central to pre-AIDS gay experience, as if every man-on-man encounter after Stonewall and before Plague was a trip to the moon.
Appropriately, the first track of Muscle Up, "Cat's Eye", begins with a whooshing interplanetary-wind sound, and the ominous processional tom-toms that follow lets us know that sex is about to happen in the furtive way animals anticipate an earthquake. Cowley's keys ape ceremonial trumpets much like the pseudo-horn fanfare that opens Devo's Duty Now for the Future. That was 1979; this piece was allegedly recorded in '75. The recording is crude and there's a moment of cacophony when two martial drum patterns crossfade and collide, but even this accidental frisson suggests porn's glitchy, clandestine low-budget production values.
As a former drummer who switched to synths (but plays everything here besides didgeridoo and a bit of bass), Cowley comprehended both discipline and exploration. There's little onMuscle Up that sounds robotic; "5oz of Funk" echoes the syncopated beat and bass from Patti Jo's "Make Me Believe in You". Only once do machines keep time, on a 1975 instrumental demo version of "Somebody to Love Tonight", a song that Cowley revisited four years later with Sylvester, yielding understated but profoundly aching results. Even at this stage, it's supremely sultry, simmering with desires then considered utterly vile beyond the San Francisco bubble.

01.  Cat´s Eye  [5:31]
02.  The Jungle Dream  [13:19]
03.  Deep Inside You  [9:00]
04.  Somebody To Love Tonight  [7:34]
05.  Pigfoot  [2:12]
06.  5oz Of Funk  [4:19]
07.  Don´t Ask  [7:02]
08.  Uhura  [4 :55]
09.  Timelink  [11:08]
10.  Mockingbird Dream 2  [8:19]

Label - Dark Entries

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The Prodigal Sons - Wine Of Life (1993)

The Prodigal Sons waren een Nederlandse muziekgroep die actief was tussen 1991 en 1996.
De groep werd in 1991 opgericht en bereikte dat jaar de finale van de Grote Prijs van Nederland. De groep bestond oorspronkelijk uit Erwin Nijhoff (zang), Albert Bartelds, Gerrit Veldman en Rick Mensink. Met Nijhoff, bassist Bartelds en drummer Henk Holsappel verscheen in 1993 hun eerste cd Wine Of Life en de single You Still Think werd veel gedraaid op de radio. Op de plaat krijgen ze versterking van gospelkoortjes, piano en slidegitaar, wat resulteert in een gedegen, volle sound.
De vlotte rockers gebaseerd op de bluesy hardrock van Bad Company en de southern rock van The Black Crowes geven Wine Of Life dan ook een flinke vaart. Maar het zijn de traag trekkende nummers, ingekleurd met Hammond en mellotron, die indrukwekkend zijn: de fantastische single ‘You Still Think’, het Gene Clark-achtige ‘In Another Land’ en de epische afsluiter ‘Dark Days’, die schitterend naar een climax wordt gewerkt. "Wine Of Life" is een uitstekend product van vaderlandse bodem, dat een essentiële toevoeging is aan de dan in Nederland heersende hausse van fiere gitaarpop. In 1994 staat de band op Pinkpop; een jaar later komt het nog rootsier The Eye Of A Stranger uit, het tweede en tevens laatste album van The Prodigal Sons

01.  Last Long  (Backing Vocals:Ingrid Simons, Julya Lo'ko, Mildred Douglas)  (3:22
02.  Wine of Life (3:26)
03.  You Still Think (4:25)
04.  Shut Your Mouth (5:02)
05.  That's When I Love You (Backing Vocals: Ingrid Simons, Julya Lo'ko, Mildred Douglas) (4:30)
06.  In Another Land (Backing Vocals: René v.d. Belt) (5:44)
07.  What About Yourself (Backing Vocals: Ingrid Simons, Julya Lo'ko, Mildred Douglas) (4:26)
08.  Jimi (5:35)
09.  Waiting (Backing Vocals: Ingrid Simons, Julya Lo'ko, Mildred Douglas) (3:33)
10.  Gone (4:56)
11.  Dark Days (Backing Vocals: René v.d. Belt) (8:17)

Label - Munich

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Frank Zappa - Return Of The Son Of Kill Ugly Radio (1996)

The last of 3 Volumes promoting the Frank Zappa catalog release on Rykodisc. Music & Interview Snippets with FZ from WBAI Zappa Tribute which Aired Jan. 22, 1994.
The third and final promotional Frank Zappa anthology manufactured by Rykodisc in the mid-1990s as a promotional vehicle to reach radio stations served primarily as a way to promote the collection of previously unreleased recordings on the forthcoming anthology, The Lost Episodes. The tracks taken from Zappa's earliest albums ("Hungry, Freaks, Daddy" and "Concentration Moon") have the original bass and drum tracks restored, removing Zappa's overdubs that were added to the first generation of CDs from this era. Sadly, this anthology is the weakest of the three because the songs were not selected with as much care and there are no interview excerpts of Zappa to give collectors an added incentive to look for this rare CD. While it may be sought after by completists, most everyone else can safely skip this disc, as Zappa connoisseurs will already have all of the recordings within this package.

01.  Take Your Clothes Off When You Danc  (3:51)
02.  Stinkfoot  (7:40)
03.  Hungry Freaks, Daddy  (3:29)
04.  Concentration Moon  (2:22)
05.  Would You Go All The Way?  (2:30)
06.  I Don't Wanna Get Drafted  (3:25)
07.  A Few Moments With Brother A. West  (4:01)
08.  I Don't Even Care  (3:48)
09.  Alley Cat  (2:47)
10.  Poofter's Froth Wyoming Plans Ahead  (2:33)
11.  Lil' Clanton Shuffle  (4:48)
12.  Hot Plate Heaven At The Green Hotel  (6:41)
13.  When The Lie's So Big  (3:38)
14.  Dickie's Such An Asshole  (10:08)

Label - Rykodisc

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Björn Ulvaeus & Benny Andersson - "Lycka" (1970, 2006 Reissue)

Lycka is a 1970 album released by folk/rock duo Björn Ulvaeus & Benny Andersson, who later became the male half of ABBA. Most of the songs feature lead vocals by Björn. The songs show the influence of Brian Wilson, "Ticket to Ride"-era Beatles and traditional Swedish folk music. LYCKA was produced by Björn and Benny with Bengt Bernhag and engineered by Michael B.Tretow. Benny and Björn played on the tracks with two Swiss musicians, drummer John Counz -drums and bassist -Gus Horn. S.O.Walldoff was responsible for the orchestral arrangements and during the 2006 re-release some songs were included such as the early recordings with the two girl half of the Swedish pop-group ABBA Anni-Frid Frida Lyngstad who was married to Benny Andersson and Agnetha Faltksog who was married to Bjorn Ulvaeus the successor album Ring Ring was their next album released this time with the girl half in 1973.
Digitally remastered edition of the first recordings by the duo hired by producer Stig Anderson as in-house songwriters his Polar Records label. The title track "Lycka" (lyrics by Stig) was released as a single, but it's b-side, the Salvation Army-style "Hej gamle man!" became a hit, topping at No.1 for 5 weeks on the Swedish Top 10! The song's success was partly due to the fact that Agnetha & Frida appeared on backing vocals, the first time the quartet recorded together. "It was the birth of ABBA in a way," Frida recalled many years later. "I don't think it would have become such a hit if Agnetha and I hadn't been on it". All four first sang together in public on a trip to Cyprus in 1970 for the duo, accompanied by their wives, and all were awestruck by their vocal blend. Among the 14 bonus tracks on this edition is "To Live With You", the English translation of "Lycka", re-recorded by the duo n English in the mid-70s, appearing on this CD for the first time.

01.  Lycka  (3:06) 
02.  Nånting Är På Väg  (2:19) 
03.  Kära Gamla Sol  (2:26) 
04.  Det Där Med Kärlek  (3:01) 
05.  Välkommen In I Gänget  (3:10) 
06.  Lilla Du, Lilla Vän  (2:51) 
07.  Hej Gamle Man!  [with Agnetha Fältskog & Anni-Frid Lyngstad backing vocals]  (3:22) 
08.  Liselott  (2:58) 
09.  Kalles Visa  (2:36) 
10.  Ge Oss En Chans  (3:40) 
11.  Livet Går Sin Gång  (3:54) 

2006 re-issue 
12.  She's My Kind Of Girl  (2:46) 
13.  Inga Theme  (2:33) 
14.  Det Kan Ingen Doktor Hjälpa  (2:29) 
15.  På Bröllop  (3:07) 
16.  Tänk Om Jorden Vore Ung  (3:53) 
17.  Träskofolket  (2:32) 
18.  En Karusell  (3:06) 
19.  Att Finnas Till  (3:32) 
20.  Hey, Musikant  (3:24) 
21.  Was Die Liebe Sagt  (3:56) 
22.  Love Has Its Ways  (2:42) 
23.  Rock'n Roll Band  (3:07) 
24.  Merry-Go-Round  (2:42) 
25.  To Live With You  (2:53)

Label - Polar

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Kon Kan - Move To Move (1989)

The Canadian duo Kon Kan (musician Barry Harris and vocalist Kevin Wynne) scored an out-of-nowhere smash in 1989 with the quirky single "I Beg Your Pardon." Incorporating a repetitive drum beat, a catchy keyboard line, Wynne's droll vocal delivery (somewhat similar to New Order's Bernard Sumner) and the ingenious sampling of Lynn Anderson's hit "I Never Promised You a Rose Garden," "I Beg Your Pardon" became a dancefloor staple and eventually crossed over to the pop charts where it hit the Top 20. Kon Kan followed the single's success with the album Move to Move. "I Beg Your Pardon," included here in two versions, is still engaging dance-pop fluff; although released in 1989, the song could have easily been a hit in 1999. The rest of Move to Move goes down just as easy, even though the lightweight dance pop doesn't quite scale the heights of "Pardon." "Puss and Boots," which includes snippets from songs by Led Zeppelin and Nancy Sinatra, comes pretty close, however; it also became Kon Kan's only other chart single (at number 58.) Move to Move is harmless, disposable fun. Kevin Wynne eventually disappeared from the music scene; Barry Harris kept the Kon Kan name for the 1990 flop Syntonic, eventually forming the short-lived dance outfit Outta Control and the prolific remix team Thunderpuss 2000.

01.  "Arts in 'D' Minor/Harry Houdini" - 6:42
02.  "Bite the Bullet" - 4:27
03.  "Move to Move" - 4:39
04.  "I Can't Answer That" - 3:48
05.  "I Beg Your Pardon (I Never Promised You a Rose Garden)" - 4:00
06.  "Am I in Love?" - 5:06
07.  "Glue and Fire" - 4:08
08.  "It Doesn't Matter" - 3:51
09.  "Puss n' Boots/These Boots (Are Made for Walking)" - 3:46
10.  "Arts in 'D' Minor/Harry Houdini" (Justin Strauss 12" Mix) - 6:51
11.  "I Beg Your Pardon (I Never Promised You a Rose Garden)" (12" Mix) - 6:40

Label - Atlantic/WEA

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Pearl Jam - 12 June 2000, Landgraaf, Holland (2000)

The Pearl Jam "Official" Bootlegs are a large, continually growing series of live albums by the American alternative rock band Pearl Jam. Pearl Jam noted the desire of fans to own a copy of the shows they attended and the popularity of bootleg recordings.
The band had been open in the past about allowing fans to make amateur recordings, and these "official bootlegs" were an attempt to provide a more affordable and better quality product for fans. The band has sold more than 3.5 million copies of shows since launching the bootleg series in 2000.
The official bootlegs are a complete record of almost every show the band plays, excluding club "warm-up" dates. One of the shorter sets on the European tour, the Pink Pop festival isn't short on great material. Maybe due to the brevity of their time slot, Pearl Jam chose to give the fans a treat and dust off four tracks from Ten: "Even Flow," "Once," "Black," and "Jeremy," a tune that only rarely shows up on the European tour.
The show really begins on a high note with "Corduroy," kicking things off with a jolt on a tour in which quieter, slower tunes usually lead things off. In fact, the first four songs are all pretty high-energy until vocalist Eddie Vedder paints a little more somber picture with the introduction of "Rival" and "Jeremy."
He describes the rarely played tunes as "a couple of songs about Americans killing each other" after he sarcastically notes that "we Americans have really futuristic ways of handling our population problem we give each other guns and kill one another." On a lighter note, the set ends with a spectacular, full-tilt version of the rock & roll nugget "Leaving Here."

01.  Corduroy  (5:35) 
02.  Breakerfall  (2:51) 
03.  Animal   (2:35) 
04.  Hail Hail  (4:51) 
05.  Rival  (3:33) 
06.  Jeremy  (5:41) 
07.  Nothing As It Seems  (6:03)   
08.  MFC  (2:30)  
09.  Habit   (4:29) 
10.  Light Years  (4:55) 
11.  Lukin  (1:09) 
12.  Even Flow  (5:19) 
13.  Brain Of J  (3:01) 
14.  Insignificance  (4:28) 
15.  Betterman  (4:10) 
16.  Rearviewmirror  (6:44) 
17.  Once  (4:12) 
18.  Fuckin Up  (9:13)  
19.  Black  (6:44) 
20.  Leaving Here  (3:20)

Label - Epic

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Nelson - After The Rain (1990)

Nelson is an American rock band founded by singer/songwriters Matthew and Gunnar Nelson (twin sons of Ricky Nelson and Kristin Nelson). The band achieved huge success during the early 90s with their debut album “After the Rain.
The album featured the No. 1 hit "(Can't Live Without Your) Love and Affection" and also reached double platinum status.
Led by brothers Matthew & Gunnar Nelson, Nelson brought Rick Nelson's sons a lot of exposure in the early 1990s. Like that celebrated '50s icon, Matthew and Gunnar went for a polished, boy-next-door image wholesome sex symbols, if you will but their music didn't sound anything like their father. Instead, this debut album boasted a glossy, '80s-sounding blend of corporate rock and arena rock (sort of White Lion meets Loverboy meets Bon Jovi, minus the "bad boy" element).
Rock critics tend to deplore and rail against albums like “After the Rain”, but say what you will "I Can Hardly Wait," "Fill You Up," the chart-topping "(Can't Live Without Your) Love and Affection" and other melodic tunes are both catchy and likable. Granted, this type of pop/rock can easily become bloodless and mechanical, but the Nelson siblings come across as sincere. For all its slickness, “After the Rain” has heart.

01.  (Can't Live Without Your) Love and Affection   (3:55)
02.  I Can Hardly Wait   (4:20)
03.  After the Rain    (4:05)
04.  Tracy's Song    (1:01)
05.  Only Time Will Tell   (4:14)
06.  More Than Ever    (3:23)
07.  (It's Just) Desire    (4:24)
08.  Fill You Up    (4:38)
09.  Interlude   (1:30)
10.  Everywhere I Go    (5:02)
11.  Bits and Pieces    (4:02)
12.  Will You Love Me?   (4:20)

Label - DGC

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Eddy And The Soulband - Eddy And The Soulband (1984)

Eddie Conard (Floyd Edward Conard) wordt geboren op 20 mei 1956 in Virgina (VS).
Van oorsprong Amerikaanse percussionist die sinds de jaren zeventig in Nederland woont en op albums van vele Nederlandse en buitenlandse artiesten te horen is.
In de eerste twee jaar dat hij in Nederland is, speelt hij met verschillende muzikanten. Daarna duikt hij het schnabbelcircuit in. In 1976 speelt Conard met veel oudere muzikanten in een coverband op bruiloften en partijen. Op een van die feesten begeleiden ze Lee Towers.
De voormalige kraandrijver is onder de indruk en vraagt Conard als gastmuzikant voor zijn album “Absolutelee” dat in 1981 uitkomt.
Dat resulteert uiteindelijk in de samenwerking op Via Lee Towers komt hij in contact met componist en producer Paul Natte. Natte introduceert hem vervolgens weer bij verschillende Nederlandse artiesten. Nog voordat hij met Lee Towers de studio induikt werkt Conard onder meer samen met Jan Akkerman en Herman Brood.
Via mond-tot-mondreclame groeit hij uit tot een zeer bekende sessiemuzikant die met veel artiesten en bands samenspeelt. Hij is niet alleen getalenteerd, maar werkt ook heel snel. Zijn bijnaam luidt dan ook 'one-track Eddie'. Het zijn echter niet alleen Nederlandse artiesten die hem vragen. Ook internationale acts als The Pointer Sisters, The Tramps en Tavares weten hem te vinden voor live-optredens. Met de groep Eddy and the Soulband brengt hij in 1984 een album uit.
Van dit gelijknamige album brengt hij de volgende nummers op single uit: “Hold Me Back” (1982), “You Are Unique” (1982), “Soul Cha Cha” (1983), en “Theme From Shaft” (1984).

01.  Soul Cha Cha  (3:17) 
02.  You Are So Unique  (5:15) 
03.  Hold Me Back  (3:16) 
04.  Vision Of Love  (3:07) 
05.  Boogalized  (3:41) 
06.  Theme From Shaft  (4:27) 
07.  I'm Gonna Getcha  (3:36) 
08.  In The Night  (3:28) 
09.  Love Train  (3:26) 
10.  Ocean Eyes  (3:46) 

Label - Philips 

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